Thursday, December 31, 2009

Ram's Horn Mitten


Here it is at last - the Ram's Horn Mitten. When I first started designing it, I had all kinds of wonderful ideas for having a different colorwork pattern on the palm than on the back of the hand, and playing around with having the background color on one side become the foreground color on the other. Unfortunately when working on it, I decided that it looked unbalanced, so will have to save that idea for another mitten. Although the final design is more simple than I had originally envisioned, I am pleased with it, and it should be interesting for students.

The cuff is just knit 2/purl 2 rib. As with the Scandinavian Gauntlet Mitten, the thumb is a different pattern than the hand, and the thumb tip decreases are done to maintain the colorwork pattern. Both the thumb tip and the fingertip are finished by having the stitches drawn up tight, which looks neat when seen from the top of the tips.

This mitten is a good example of experimenting with Color Dominance. Whichever yarn is carried below the other, is pushed out while the other recedes. You can see what I mean where the cream color stitch line recedes between the thumb and hand.

This class is now open for enrollment at Spirit Work. Click on "Classes & Events", then click on my classes.

I'm also teaching an easier mitten class, Two Color Mittens. Students will have their choice of either Salt & Pepper or One on One Stripes. Both of these colorwork patterns are made of 1 stitch light and 1 stitch dark repeated around. Whether done in an even or an uneven number, determines which pattern is produced. The class handout includes directions for both mittens in a full range of sizes from small child to extra-large adult.

Currently I am finishing up the Snowstar Gauntlet Mitten, and will be posting about it with a photo. The mitten shaping is like the Scandinavian Gauntlet Mitten, but the Snowstar gauntlet is longer and has colorwork. Amazingly I thought the Snowstar would go slower and the Ram's Horn faster during the design process, but the opposite has turned out to be the case!

Friday, September 11, 2009

Scandinavian Gauntlet Mittens


For winter I have a red and black reversible down jacket that I haven't gotten as much use out of as I might wish, because of a problem I didn't foresee when I bought it. The sleeves don't have any inner cuffs to keep cold air out!
Obviously this situation called for some corrective action, so I've just designed a mitten with a flaring cuff or a gauntlet. Now I when I wear the jacket, I can put the mitten cuffs over my sweater sleeves inside the jacket sleeves, and they should do the job.
The mitten starts out with a 2-color cast-on, then has 2 rounds of a 2-color twined purl edging. The rest of the gauntlet is in one color.

When I was looking for mitten ideas, I found a mitten shape in Knitting in the Nordic Tradition by Vibeke Lind, where supposedly the gauntlet had been done in one color on the same size needle as used for the colorwork in the hand and it pulled in sufficiently to work. That was the theory at least.

In practice however, I found that I had to decrease about 1/8 of the stitches, and go down to a smaller needle to make K1, K1tbl/P2 ribbing for 1” at the wrist. Then I went back to the original needle size for the colorwork starting with the fewer stitches.

Whenever I design something, it seems I have to try making at least some part of it in a couple different ways, which was the case for the thumb gore. I finally settled on having a “seamline” in the main color along the sides of the gore because it looked so much better than trying to do a gore in the same pattern as the hand. I also decided that doing the thumb in just Salt & Pepper looked better.

Usually when I finish off the mitten tip, I like to decrease equally all the way around, staggering the decreases, but decided that this one looked neater if the decreases were paired along the sides and the tip was kitchenered. I liked the colorwork and wanted to maintain the pattern as much as possible.
I'm rather happy with how the mitten turned out! So happy in fact that it's going to be class at Spirit Work Knitting & Designs. For information go to the Spirit Work website, click on "Classes & Events", then click on my classes. The information should be up shortly. The class will run on alternate Wednesday evenings, from October 14 through November 18, 2009, from 6:30 to 8:30 p.m.
Hope to see you there!


Saturday, August 8, 2009

TDSS Aran: Cables flowing into ribbing


I've been working on my Top-Down Saddle-Shoulder Aran cardigan. As I was heading my way on down the sleeve towards the cuff, I was wondering what I was going to do when I got there. I've always admired sweaters where the cable patterns flow into the ribbing, and I wanted to somehow make it happen. Would I have to put the stitches on hold and come back to it later when I had figured it out?
Fortunately I was inspired just when I needed to be while spending an afternoon in the fresh air and sun a week ago with a pair of knitting friends, and all of the sleeve tapering decreases were done.
The 14-stitch wide Aran Braid going down the center of the sleeve didn't have enough elasticity widthwise to continue downwards in to ribbing, but if I made it narrower - only 6 stitches wide - it should be stretchier than the 14-st braid. So I tried that, changing the 4 sts on either side of it to 2 purls and a 2-st cable crossing every 4 rows. Normally I'd expect to have to decrease stitches below a cable, but it seems to work OK without doing so since I went down 1.0 mm in needle size and have the purl sts in there. The 2-st Snakey or Wavy cables continue down as do the 4-st Rope cables, and the Rice Stitch filler becomes knit 2/purl 2 rib. I'm rather happy with how it turned out.
Currently I'm working on the other sleeve, and am planning an evening of DVD watching and knitting. I want to hurry up and get it done so I can move on to my next project which is the Aran Diamond Vest.
This too is another class sample, but I'm eager to work on it now that I have the yarn for it. For years I have wanted wheat/light tan heather vest because it would go with so many fall clothes. Twice I've had problems with the yarn I've used for just plain stockinette vests.
One time I used some single-ply 100% wool wheat tweed on a cone that still had the spinning oil in it. The yarn bloomed when the vest was washed and blocked but unexpectedly lost some length. From that experience I learned that I should have skeined the yarn off the cone and washed it first.
Another time I used some wool that smelled and felt oily in the balls. After washing and blocking it still felt funny unfortunately. Since I had had a successful attempt at removing the oiliness from another yarn, this was a big disappointment. But, hey live and learn, right?

Monday, July 27, 2009

TDSS Aran Cardigan in Progress



Here is a photo of the Top-Down Saddle-Shoulder Aran in progress. As you can see I am knitting the sleeve flat rather than in the round. The orange markers on the back show the correct depth of the armhole. Instead of measuring from the center of the saddle, I had measured from the picked-up edge for the armhole depth so the back ended up being 1 1/2” too long! When I return to working the back, I will have to rip back to those markers because I have to pick up along the edge of the body part of the sleeve to make the back the desired width. Live and learn, right? :)



The other orange markers on the sleeve are where the body part of it ends, then where the first decreases are. (I like to count rows so that I can make corresponding parts match.) The green marker in the center of the sleeve is for the measuring the sleeve length.

Sunday, July 26, 2009






Here are photos of the solid-color Earflap Cap.

Preparing for Fall Classes

Currently I am working on samples for fall and winter classes at Spirit Work. The big one is a Top-Down Saddle-Shoulder Aran cardigan. Jeannine and I are again team-teaching an Aran sweater class. While I am making a cardigan for myself, she is making a pullover for her brother. We are also going to put them together differently. Mine will have sewn side seams, and hers will be done seamlessly in the round. Students will choose from two different styles and assembly methods, and make their choices of stitch patterns from menus for the different categories of cables and allover patterns. Jeannine and I will have swatched all of the patterns on the menus, and we are being careful to choose ones that have the same stitch count in every row/round and are rhythmic enough so that they are easy to learn after one repeat or so. The intent is that the knitter shouldn't need to keep checking a chart or written directions all the time so that a conversation can be carried on or TV can be watched! (Let's face it, if something is too involved, how much time can you spend on it?) And oh yes, the patterns will be both charted and written. Students will be getting enough information that they will need looseleafs for the handouts! :)


Other classes that I will be teaching are the Earflap Cap, which is a solid-color version of the colorwork Snowflake Helmet (the sample on the website needs to be updated, but the actual class sample is on display in the shop); the Chipman's Block Mitten; Boot Socks out of Cascade 220 Superwash, which works up beautifully for socks; Introduction to Designing: The Classic Vest (I do tend to make a lot of them!); and an Aran Diamond Vest, for those who might like to make an Aran but don't want to pick out patterns or commit to a sweater with sleeves.


All of my classes use my own designs and include complete handouts. The garment classes start with measuring the figure so that students can knit to fit. (While I may have gotten bigger around over the years, my shoulders have not grown broader, nor my arms longer, so knitting to fit is important to me.)


I will also be teaching a class on Heirloom Christmas Stockings, with 2 different colorwork designs. The stockings are made in Lamb's Pride Bulky so they knit up quickly. Students may make either design or may combine colorwork patterns from both into one stocking. At present only the Stars and Trees design is on display in the shop and on the shop's website, while the North Woods one with a pair of moose is being modified.